Tag: Restoration

  • Casa Roig Musuem, Humacao, Puerto Rico

    Did you ever wonder how far stretching the Prairie School architectural movement had reached? How about walking the streets of Humacao in Puerto Rico and catching a glimpse of something that looked straight out of Frank Lloyd Wright’s portfolio? Enter, the Casa Roig Museum. Built in 1920 by notable Czech architect Antonin Nechodoma, Casa Roig was originally designed as a residence for the prominent Roig family in Humacao, in the Prairie School style. It is an outstanding example of the architectural style and is undeniably influenced by Frank Lloyd Wright.

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    Casa Riog before restoration and preservation work commenced, 1977. (Photo credit: National Park Service)

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  • Preservation Evaluation: Gustav Stickley’s Log House

    In September 2004 the restoration of Gustav Stickley’s Log House, a National Historic Landmark located at Craftsman Farms in New Jersey, was completed. The house was originally the private residence of Stickley from 1911 to 1917. The architectural style epitomizes the Arts and Crafts movement and was meant to be ‘harmonious with its natural setting.’ [1] The house is constructed primarily of exposed chestnut log walls, with Ludowici tiles on the roof and a fieldstone foundation.

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    (Photo Credit: Ron Anthony, APT Bulletin 36, No.2/3)

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  • Restoration of the Norwich Cathedral

    Restoration of the Norwich Cathedral

    Norwich Cathedral, located in Norwich, Norfolk, England, was constructed between 1080 and 1120 in the Norman Romanesque style. It was built using flint and mortar, then it was covered in limestone. In 1463, the spire of the cathedral was hit by lightning, causing a fire and damaging the building. The Bishop at the time ordered a construction of a new spire, which was constructed of brick faced with stone, supported on brick squinches that were built into the tower. B.M. Feilden, the conservator architect for this restoration was commissioned to work on the Cathedral. Through visual analysis of the structure, he was able to establish: that the spire had cracked vertically on every side (8 sides in total), external stone was decayed and bulging and the internal brickwork was horribly decayed in several places. It was also discovered that a major crack had established between the stone and the brick core, likely caused by wind vibration.

    Feilden’s approach for restoration was based on his belief that since the spire had managed to survive 500 years, post completion by John Everard in 1466, then there was no reason why it could not be restored to its original strength to withstand at least another 100 years. His proposal was to grout the voids existing between the stone casing and brick core, then introduce the insertion of ties across the brick’s vertical cracks with occasional ring beams. Due to the weak condition of the spire, Feilden opted not to add extra weight to the existing wind loading, therefore the scaffolding would need to be an independent element. He designed a “central octagonal ring with spring loaded ties to 8 external channels at the angles to restrain the spire at its weakest point.” [1]

    It took 2 years through very harsh winters to complete the project. The first step taken was to fuse the interior junction of stone and brick through the use of grout. After that the ties were cut in and the masons hired to complete the brickwork began to cut out the defected bricks in 18-inch vertical strips. From the beginning, Feilden had warned the masons to only work at 3 places at once, which they ended up ignoring, causing severe damage to the already weak spire. It was discovered that the spire had moved while the masons were working on the brick, due to the fact that they opted to work at 9 different places at once instead of the recommended 3. Upon further investigation it was made apparent that there had been displacement along with the start of a crack around the circumference. The brick openings were immediately filled.

    After completion of this restoration, a maintenance plan was formed and put into action. Every 5 years inspections would be carried out and every year the bays would be cleaned. After the cleaning, any damages discovered would be examined, with greater attention placed on the horizontal weatherings and pointing. Feilden claimed a proper maintenance program would be far more beneficial in the philosophy of repair versus restore. He also created a sliding scale of which to compare with visual analysis during maintenance checks; Immediate, Urgent, Necessary, Desirable, Monitor (with Immediate needing the quickest attention). Feilden believed using the same crew for maintenance every year would help diminish unnecessary problems from taking place.

    [1] Feilden,B.M., “From Restoration to Maintenance: A Case Study of Norwich Cathedral,” APT Bulletin Vol. 21, No. 3/4 (1989): 25.

  • Preservation Evaluation: Gustav Stickley's Log House

    Preservation Evaluation: Gustav Stickley's Log House

    In September 2004 the restoration of Gustav Stickley’s Log House, a National Historic Landmark located at Craftsman Farms in New Jersey, was completed. The house was originally the private residence of Stickley from 1911 to 1917. The architectural style epitomizes the Arts and Crafts movement and was meant to be ‘harmonious with its natural setting.’ [1] The house is constructed primarily of exposed chestnut log walls, with Ludowici tiles on the roof and a fieldstone foundation.

    The third phase of restoration began in 2001, when the deterioration of the logs became quite notice1able. To ensure the structural integrity of the logs, the preservation team needed to examine the building. Resistance drilling was chosen as the least destructive means of investigation; meaning a ⅛” to ¼” drill bit would be drilled into the logs while the resistance would be recorded. For this project, the IMLRESI (manufactured by IML GmbH of Germany) system, of resistance drilling was used to record the data to show ‘the internal voids and intermediate stages of decay.’

    From the beginning the team wanted to ensure the preservation of the logs would retain the structural integrity of the house. An architect, material conservator and structural engineer investigated the house, looking for any material deterioration, significant movements, discolorations, growths, etc. Load distributions and performance were analyzed, which found the presence of overstressed elements. There proved to be deterioration of the logs on each of the exterior elevations, due to rot and termites. Because the house was primarily wood, the team feared the damage could be more extensive and expansive. They discovered further rot damage from the rafters to the porch’s ceiling joists to a post on the north corner of the west elevation.

    They wanted to make sure they could locate and quantify the extent of the total deterioration. The team opted to perform a visual examination of the lower courses of the exterior logs, joists and all the exterior openings, while probing the logs to measure the moisture content. Since majority of the wood rot occurs from the center out, exterior damage is not as evident, but they hoped the probing during examination would allow for instant detection of any voids. The moisture content of the logs ranged from 8%19% but it was noted that this had been measured in the midst of a several month-long drought, meaning the readings may not have been typical. Because so much damage had been discovered, the team realized these readings were not truly indicative of the extent of moisture and active decay. They opted to perform another round of resistance drilling on these lower courses of logs, color coding their findings based on the severity of the damage. Majority of the logs at the base, those adjacent to the window sills and the overhanging logs at the wall corners were all requiring repair. Wood epoxy was used to repair some of the concealed areas, but for the exterior repair, the the damaged logs needed to be carefully removed and replaced with salvaged chestnut logs.

    The process of removing and replacing the logs was quite a challenge for the team, as the house’s remaining structure of the logs required further support, so the deteriorating logs could be cut and removed. The team worked together with a contractor’s engineer and were able to find a plan to replace all the logs at the base. During the remedying of the porch, it was discovered that half the ceiling joists had wood removed to host space for exterior lights; this had compromised the strength of the log beams causing them to become overstressed. They opted not to replace them, as the cutouts would still be necessary. Instead, the team considered it better to reinforce the existing logs. They had the choice of using carbon-fiber composites or steel plate insertions, which they ended up using the latter. To do this, the second floor was shored, so that the logs could be temporarily removed. The logs were treated like a sleeve, so as to conceal the steel plates within, which were shaped to align with the ceiling contours. For the repair of the corner post, it was decided to introduce new stainless-steel elements as the damage of the wood post was so extensive. It was attached to both the new and original wood logs.

    In my opinion, the use of resistance drilling made it possible to efficiently solve and remedy the deterioration of the logs. In the process of remedying the damaged wood, all effort was made to preserve as much of the existing logs as possible. The repairs which required replacements and the use of epoxy seemed necessary and it came across that the team had carefully debated these choices before implementation. However, I do not necessarily agree that a completely different material should have been introduced for the corner post. If the previous wood post was so far damaged, I believe they should have replaced it with a salvaged piece of log, just as the logs for the walls had been replaced. It seems that through the introduction of a stainless-steel post that some of the integrity of the house was changed.

    [1]

    Radcliffe Trenner, Anthony and Meade, “Wood Assessment and Repair of Gustav Stickley’s Log House at Craftsman Farms, New Jersey.” APT Bulletin 36, No.2/3 (2005): 2936